Appearance can tell a lot about a person. It is very important to navigate in the styles of clothing, and most importantly, be able to appropriately pick out the outfit, depending on the situation.
"Modest" styles
The modern classical style of clothing is characterized by straight lines, natural dense fabrics. The color scheme is muted, without pictures and prints, a minimum of folds. As for the length of the skirts, this is an ascetic midi, from the knee to the ankle. Choose boats or Oxford boots. It is necessary to avoid massive ornaments. Hairstyle - graceful. It is on the classics that modern business style of clothes is based .
Kazhual is convenience, beauty and democracy. Simple lines, the softness of materials, the tranquility of flowers and the convenience of cutting - this is the everyday style. Knitted sweatshirt, turtlenecks, dark jeans or trousers, moccasins or boats, a simple leather bag, a modest string of beads or one-tonne massive jewelry - all this is a cache.
Among the modern styles of clothing for girls is popular "untidy" grunge. Choose bulky jewelry, clothes should look stretched, worn (holes on tights). Ideal ballet shoes, sneakers or steady bots.
"Unaccustomed" styles
The rococo style in modern clothes "marked" with the refinement of the outfits and their incredible pomp. The image looks luxurious and fresh. There is a noticeable congestion in the finishes and details. Chic shoes, indiscreet jewelry - that's rococo.
Safari corresponds to a discreet color scheme (brown, beige, sandy, muted green). Preference is given to cotton and flax. "Classic" safari is an elongated jacket with short sleeves, but an abundance of pockets, shorts with lapels, a rough leather belt and a brown leather bag paired with a steady heel, bizarre ornaments from bones.
Vanguard combines incongruous, amazes imagination, but does not irritate. It is characterized by bright shades and fabrics of different textures. It can be fur and satin, chintz and lace ruffles. Shoes must also be of unusual shape with the original heel.
| | | |
| | | |
| | | |
